636 Towne St, Greenwood, SC 29646 is among Thessa's previous addresses. This address is also home to people by the name of Byron Smith and Cheryl Smith. Information about a company that has been registered at this address is available to us - Cheryl Nacole Smith. Thessa currently resides at 103 Stratford Rd, Greenwood, SC. Thessa is also known as Thessa Goodwin Boston, Thessa Goodwin, Thessa Smith, Theressa A Smith, Theressa Smith, Ann Smith, Thessa I Smith, Teresa A Smith, Theressa G Smith, Thessa G Boston, Teresa Smith, T Smith, Thessa G Smith, Thessa F Smith, Ruby D Goodwin, Ruby P Goodwin, Teresaa Smith, Teresasmith. The most recent work description is Retired. By exploring both apathetic and sympathetic views, the ethical reflections are more nuanced as.Thessa is a high school alumnus. From this, three ethical stances are developed apathy, sympathy and empathy. The ethical fulcrum evolves around Løgstrup's Ethical Demand and his notion of spontaneous life manifestations. Using a three-week long innovation workshop, UCrAc, involving 16 Danish companies and organisations and 142 students as empirical data, we discuss how animation-based sketching can explore not yet existing user dispositions, as well as create an incentive for ethical conduct in development and innovation processes. The discussion is qualified by an empirical study of Responsible Research and Innovation (RRI) in a Triple Helix constellation. more This paper addresses the challenge of attaining ethical user stances during the design process of products and services and proposes animation-based sketching as a design method, which supports elaborating and examining different ethical stances towards the user. This paper addresses the challenge of attaining ethical user stances during the design process of. With Barthes and Fiske these groups are defined by their way of approaching the original text, thus working either in. The analysis identifies different ways of transformational engagement with the original text: ranging from the academic writerly approach of researchers, over professional fans rewriting and critically engaging with the original text, to fanfiction fans reproducing heteroromantic tropes in homoerotic stories, fans of popular culture using Tintin figurines to document their own travels, and finally, fans who use Tintin covers as a way to express critical political sentiments. The focus is on the critical transformation of, and engagement with, the original text by academics, professional fans, and fans of popular culture. more Using Roland Barthes’ and John Fiske’s notion of the readerly, writerly, and producerly text, this article provides an analysis and a tentative categorization of chosen transformative, fanmade texts for the comic book series The Adventures of Tintin. Using Roland Barthes’ and John Fiske’s notion of the readerly, writerly, and producerly text, thi. In relation to this journal's theme on L. 2006) and the American everyday life studies of mobile telephones (Ling 2004, Ling 2008). The purpose of the article is to investigate if changes in the media technologies have any impact on the analytical framework of domestication: Does the notion of domestication still offer a meaningful account for the use of mobile media such as iPods, iPads and iPhones, and the flows of applications and content? The theoretical context of the article consists of the British tradition of media and information technology studies (Silverstone & Hirsch 1992, Berker et al. Domestication translates into that process through which both new informations and communication technologies, interactive digital media and wearable devices are 'fitted' or 'knitted' into the fabric of everyday domestic life. more The key interest of this article is the concept of domestication as a central framework for both sociological and ethnographic media studies. The key interest of this article is the concept of domestication as a central framework for both.
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